16,286 Royalty-Free Audio Tracks for "Bwv 854 – Prelude And Fugue No. 9 In E Major From The Well Tempered Clavier I"

BP chromatic scale et. MIDI pitch bend appears to match intervals.

Triad in Equal Tempered Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

24 Preludes, Op. 28, Nr. 15 in D-flat major

*Two-third tone on C = C♯/D♭. Equal-tempered: 21/9:1 = 133.33 cents. MIDI pitch bend: 85,74

The Nocturne Op. 9 no. 2, in E flat major, performed by Frank Levy

Piano Sonata nr.15 in D major op.28 "Pastoral" - II. Andante by Karine Gilanyan

Scale of the Mixolydian mode starting on C [ogg vorbis sound file]

Edison Amberol cylinder n° 479 recorded by Stella Mayhew.

In 1926 Lansbury's Labour Weekly release a series of gramaphone records of left-wing songs and speeches. This is a recording of one of those records.

Ort: Semisjaure-Njarg [Bengtsson] (sameby) / Arjeplog (socken)

The traditional country song Cripple Creek, performed by Gid Tanner and his Skillet Lickers

The traditional country song The Prettiest Little Girl In The Country (some also say Prettiest Little Girl In The Country[!]), performed by Gid Tanner and his Skillet Lickers

The tradtitional country song John Henry, The Steel Drivin' Man, performed by Gid Tanner and his Skillet Lickers

Ort: Semisjaure-Njarg (sameby) / Arjeplog (socken)

The song Old McDonald Had A Farm, performed by Gid Tanner and his Skillet Lickers

The traditional tune I Shall Not Be Moved, performed by Gid Tanner

Edison Gold Moulded Record #9295. Performed by Bob Roberts.

The traditional tune Shortenin' Bread, performed by Gid Tanner and his Skillet Lickers

Ort: Talma (sameby) / Jukkasjärvi (socken)

James Scott's "Grace and Beauty" (1909), created on a synthesized piano by Adam Cuerden from a score at s:Grace and Beauty.

The Girl I Left Behind

I Vow to Thee, My Country

God rest you merry, gentlemen (or "God rest ye merry, gentlemen") is an ancient Christmas carol, believed to date from about the 15th century. Edison Blue Amberol #3346, Edison Diamond Disc matrix #5677

Sergei Rachmaninoff performing his own Prelude in C-sharp minor (Op. 3, No. 2). The composition was first published in the Russian Empire and this recording was first released in the United States in December 1920 by Edison Records. It was performed in New York City, April 24, 1919.

It Is Well with My Soul

The Japanese song "Umi Yukaba" performed in 1941.

Prelude in C-sharp minor, Op. 3, composed and performed by Sergei Rachmaninoff. This is Edison Diamond Disc 82187-R, Matrix 6742-C-2-3 [2-1]. Recorded in 1919, released in December 1920. Українська: «Прелюдія до-дієз мінор», написана і виконана Сергієм Рахманіновим, випущена в грудні 1920 року.

(Wolfgang Kindl) EG 179 Allein Gott in der Höh sei Ehr

The Anthem of Europe, based on the final movement ("Ode to Joy") of Beethoven's 9th Symphony composed in 1823. Performed by the United States Navy Band. This is the short version without introduction.

Hayom Teamtzenu composed by David Roitman

V'chol Boei Olom composed by David Roitman

L'Dovid Mizmour by David Roitman.

The Star-Spangled Banner (the American national anthem) being performed in 1915 by Margaret Woodrow Wilson, daughter of American President Woodrow Wilson. This recording was made as a souvenir for the Panama Pacific International Exposition and part of its profits were given to the American Red Cross. The record plate is Columbia Records number 1685 (39764). Originally manufactured by Columbia Graphophone Company.

Uvmikhalos Rivevos by David Roitman

Measure 4 from Ludwig van Beethoven's Piano Sonata No. 8 (Pathetique), Op. 13. This example demonstrates nonuplet 128th notes (semihemidemisemiquavers), 64th notes (hemidemisemiquavers), and one 32nd note (demisemiquaver).

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

The first three, and final verses of Through the Years. Originally "Tyle Lat" and later translated into English. Written c. 1920 by Francis Hodur, and translated in 1921 by the Fourth Synod of the PNCC.

*Bohlen-Pierce three steps on C = E. 33/13 = 438.91 cents. MIDI pitch bend: 57,76

*Bohlen-Pierce eleven steps on C = A♯/B♭. 311/13 = 409.35 cents. MIDI pitch bend: 126,66

*Bohlen-Pierce twelve steps on C = B. 312/13 = 1755.65 cents. MIDI pitch bend: 103,49 1755.65-1200= 555.65 cents.

*Bohlen-Pierce seven steps on C = H. 37/13 = 1024.13 cents. MIDI pitch bend: 92,71

*Bohlen-Pierce ten steps on C = A. 310/13 = 1463.04 cents. MIDI pitch bend: 22,52 1463.04-1200=263.04 cents

*Bohlen-Pierce eight steps on C = H♯/J♭. 38/13 = 1170.43 cents. MIDI pitch bend: 68,54